TIGER joins the Cuban dancing troupe! Exhilarating and enthralling in Spanish "Salsa" dancing maneuvers, the festive decorum continues as now Sohail Sen takes over the proceedings in peppy sounding "Laapata". It pitches an overdose of "club-remix" disco beat fillers interspersed in typical Arabic musical feel but the end result is not too convincing, overall it's a scintillating musical feature (as viewed in promos) with all catchiness in dancing thrives with strong face-value (Salman-Katrina), giving it a loud chartbusting feel.
"Mashallah (remix)" by DJ Joshilay sounds messy and fails to be as strikingly bouncy as the original soundtrack.
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For its extremely thumping and jiving overtures, it's a "choreographer's delight" number that will surely find its way in many TV dancing reality shows in the coming months. To add more energetically loud zest, there are enthuse chorals and Benny Dayal's Arabic renditions that gives it a pompous thrust. There is blend of Arabic auto-phonic and stringed instrumentals (djembe, darbuka, tar drum, tambourines and finger cymbals) that works sporadically and delivers their peculiar iconic sounds.
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Despite its strong resemblance with "Mashallah" (Arabic wedding song by Nausheed) in its signature tuneful appeal, Sajid-Wajid deliver a meticulously driven job by employing a series of Arabic traditional instrumentals in giving this a typical Middle-Eastern festive feel. Wajid's pleasing vocals makes a smooth communion with sultry tones of Shreya Ghoshal and makes this a truly delightful listening fare. It's bombastically jiving in instrumental flows and has infectiously catchy customary Arabic rhythmical setting that brings myriad of festive colors to the occasion. The roar for EK THA TIGER begins with Sajid-Wajid's (Salman's favorites) outrageously loud Arabic dancing and singing moves in highly promoted "Mashallah" (exclamatory word for describing "beautiful").
Sohail Sen, one of the most reliable upcoming composers of B-town, makes his second consequential presence in YRF, after the chartbusting success of MERI BROTHER KI DULHAN while Sajid-Wajid chips in as guest composers with one solitary soundtrack.
Whether its Salman Khan's recent releases (WANTED, DABANGG, READY or BODYGUARD) or YRF's last few entertainers (NEW YORK, BAND BAAJA BAARAT and LADIES VS RICKY BEHL), music has always been a dazzling feature that had added to the flick's box-office success, so one expects a potential musical bonanza from this album. EK THA TIGER finally arrives.! Elated with a series of recently delivered blockbuster hits, Salman Khan's most awaited and Yash Raj Films (YRF) most ambitious venture makes its musical presence in marquee, and expectations are presumably highest as this project is lavished with astronomical production values and is gifted with best possible bankable names.
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